[78-L] Rock & Roll rising (was: Escott, was Arnold Covey)
Erwin Kluwer
ekluwer at gmail.com
Wed Mar 19 05:53:55 PDT 2014
Buddy Holly said he was the first
Roy Orbison stated the same as John Lennon...
Jackie Wilson: "blacks stole more form Elvis then the other way around.."
Somehow I trust the opinions of the above mentioned gentlemen a bit more
then what is thrown around here..
On Wed, Mar 19, 2014 at 1:45 PM, eugene hayhoe <jazzme48912 at yahoo.com>wrote:
> ''The train I ride, 16 couches long...''
>
> http://www.youtube.com/watch?v=ghv498qwuiY
> Mystery Train, Junior Parker
>
> 'Junior Parker, not particularly marketable to white teen girls in 1950s
> America,' LOL.
>
> As for the musical elements, 'they are all there.'
>
>
>
>
> --------------------------------------------
> On Wed, 3/19/14, Erwin Kluwer <ekluwer at gmail.com> wrote:
>
> Subject: Re: [78-L] Rock & Roll rising (was: Escott, was Arnold Covey)
> To: "78-L Mail List" <78-l at klickitat.78online.com>
> Date: Wednesday, March 19, 2014, 8:34 AM
>
> to me rock n roll is almost more
> informed an attitude then a pure musical
> style;;
>
> and there was only ONE who had it ALL together in summer of
> 1954 (the
> clothes,good looks, the attitude, the moves, that NEW
> sound...a band
> sound new so cool, streamlined..
>
> Elvis is man who started it..
>
>
> On Tue, Mar 18, 2014 at 6:46 PM, eugene hayhoe <jazzme48912 at yahoo.com
> >wrote:
>
> > And then, of course, going back to Sun, there are the
> numerous pre-Presley
> > Sun sides that were templates for late '60s
> 'blues/rock' like James
> > Cotton's Cotton Crop Blues, Wolf's How Many More Years?
> and numerous of
> > Junior Parker's Sun recordings to name just a
> few. From what I've read,
> > Hendrix's use of the name 'the Blue Flames' was
> in direct homage to Parker
> > and his records.
> >
> >
> > I'd also say 'let's not forget the Ravens' when it
> comes to 'r&b/country
> > crossover.'
> >
> > http://www.youtube.com/watch?v=QQACHFa3SBU
> > Rooster
> >
> >
> > --------------------------------------------
> > On Tue, 3/18/14, Joe Scott <joenscott at mail.com>
> wrote:
> >
> > Subject: Re: [78-L] Rock & Roll rising (was:
> Escott, was Arnold Covey)
> > To: "78-L Mail List" <78-l at klickitat.78online.com>
> > Date: Tuesday, March 18, 2014, 12:06 PM
> >
> > ----- Original Message -----
> > From: eugene hayhoe
> > Sent: 03/17/14 05:53 PM
> > To: 78-L Mail List
> > Subject: Re: [78-L] Rock & Roll rising (was:
> Escott, was
> > Arnold Covey)
> >
> > Country's here, so is Wynonie -
> > http://www.youtube.com/watch?v=xR_A4Su-TrI Hank
> Penny's
> > Bloodshot EyesFrom a few years after their
> formation on,
> > King assigned songs they controlled to artists
> without
> > worrying about the origins of the songs (for
> financial
> > reasons), which is something Louis Jordan had not
> been
> > worrying about for years too. But there was
> rarely much
> > "hillbilly" about the performances by the black
> artists in
> > those situations during that period (as an aside,
> imo even
> > Otis Blackwell's conscious attempts to sound
> somewhat
> > hillbilly about '52 didn't sound all that
> > hillbilly).Paralleling Cary's point that if a
> hillbilly band
> > added a saxophonist, that's a clue they were
> interested in
> > R&B, when a black band added
> hillbilly-associated
> > instrumentation that was a clue they were
> interested in
> > hillbilly music, e.g. steel guitar on Buddy
> Lucas's
> > "Undecided" in about '51 -- but that approach was
> very rare
> > in black music during '45-'49. E.g. there were
> tons of
> > blacks who rememb
> > ered how to play the fiddle as of the
> late '40s and the
> > opportunity to do so on R&B records was
> almost zero, in
> > contrast to greater use of fiddle back when Big
> Joe Williams
> > began recording and earlier. Roy Milton recorded
> a nice
> > "Along The Navajo Trail" in actual hillbillyish
> style
> > (unlike e.g. Wynonie imo) in about '47, Specialty
> didn't
> > bother to put it out at the time.Joseph Scott
> > _______________________________________________
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