[78-L] Bird with Stringency

[Joe Scott]

In the '50s the audience for bebop had shrunk and if you were famous to that audience as a bebop-as-such musician, the people who did show up to the little club tended to want to hear the tunes they associated with you (how avant-garde of them). It was different for musicians less closely associated with bebop, such as Oscar Peterson.
Joseph Scott
----- Original Message -----
From: Julian Vein
Sent: 01/06/14 09:22 AM
To: 78-L Mail List
Subject: [78-L] Bird with Stringency

Charlie Parker recorded some 14 titles for the "Charlie Parker with Strings" sessions, but most of his live recordings consist of just the same four songs. This must've had a stultifying effect on Bird's string players. This got me thinking about the size of jazz musicians' repertoires. Working from those who left a large body of live recordings, I have noted the following: Large: Chet Baker, Dave Brubeck. Small: Thelonious Monk, Miles Davis, John Coltrane. The second group seem to stick to their comfort zones, and appear unwilling to step outside it. I exclude big bands and singers because there are certain constrictions on what they can practically perform. Julian Vein _______________________________________________ 78-L mailing list 78-L at klickitat.78online.com http://klickitat.78online.com/mailman/listinfo/78-l