[78-L] Jazz myths [was Christian question]
Mike Harkin
xxm.harkin at yahoo.com
Fri Dec 20 11:46:52 PST 2013
Neuman's Law: For every fact there is an equal and opposite fact.
Mike in Plovdiv
----- Original Message -----
From: Joe Scott <joenscott at mail.com>
To: 78-L Mail List <78-l at klickitat.78online.com>
Cc:
Sent: Friday, December 20, 2013 9:02 PM
Subject: Re: [78-L] Jazz myths [was Christian question]
Dunn is underrated. If Bubber Miley admired someone...
Brings to mind that Dizzy Gillespie tried to claim that he popularized double-time sections in arrangements, which was a gimmick that had been around long before his era.
Joseph Scott
> > ====================== One I forgot. A myth that did the rounds for years was that the first jazz solo to incorporate double-time was Armstrong's on "Sweethearts On Parade" (1930) till some learned scholar discovered that Johnny Dunn had done this on his 1922 recordings of "Four O'Clock Blues" and "Hawaiian Blues". Wrong again! There's double-timing by the trumpet player on Jim Europe's 1919 "The Darktown Strutters' Ball". I remember when I first heard it I realised there was something different about it, then I cottoned on. Actually, Louis had already included some double-timing, very effectively, in his 1928 scat vocal on "Squeeze Me". Julian Vein _______________________________________________ 78-L mailing list 78-L at klickitat.78online.com http://klickitat.78online.com/mailman/listinfo/78-l
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