[78-L] Rodeheaver Musings
David Lewis
uncledavelewis at hotmail.com
Thu Feb 7 13:59:42 PST 2013
Probably no one will be much interested, though if you collect Rainbows it may be helpful. Rainbow 1015 consists of one coupling,
but involves six different recordings. The coupling is:
A Homer Rodeheaver: The Half Has Never Yet Been Told
B Mrs Asher & Homer Rodeheaver: The Old Rugged Cross
Both sides of 1015 were initially cut in Winona Lake, IN around the time of the Winona Lake Bible Conference of 1920. Side B was
remade first, during the Cincinnati Billy Sunday crusade of May 1921, with a group (violin, cello & piano) called the Orloff Trio.
The last "Old Rugged Cross" used on Rainbow was made in Gennett's New York studio with the Criterion Quartet interpolating passages
from another hymn; that one is an usually fine Rainbow Record, though the Cincinnati take is quite long at 3:35. I've seen some
early 10" Rainbows run to almost 4:00. The Gennett version was made in late May or early June 1922.*
The "A" side, which is of a once famous hymn by English author Frances Ridley Havergal, was replaced only once, by a matrix made in
the Rodeheaver studio in Chicago, with a wind band rather than the usual Spring-Smith-Holmes Orchestral Quintet, and bearing a matrix
number of "973"; it was made likely after the Gennett version, sometime in the summer of 1922. In the summer of 1924, Homer dubbed
this matrix at the Gennett studio; the dubbed version has a solid ring in the runout area and no matrix under the label. The Winona
Lake and Cincinnati recordings, as far as have been observed, likewise do not bear matrices.
I went through my inventory and discovered that I have 13 copies of 1015, so I culled them in hopes of finding any of the early
versions. Only one seemed not to bear the familiar matrices of 973/7900a. "The Old Rugged Cross" carried the credit to the Orlaff
Trio, so I knew I had the Cincinnati matrix, and I assumed that the flip had to be the early Winona Lake matrix of "The Half Has
Never Yet Been Told." And I thought so even after I transferred it; it was distant, hollow and everything I was expecting of one
of the early recordings from Winona.
I decided I should seek out the best copies of 973/7900a and transfer those also, since I had them all in front of me. But it
didn't take long for me to figure out that the "A" was the same recording I had just listened to, only brighter, fuller and more
forward. The disc bearing the Cincinnati "Old Rugged Cross" did not bear a Winona recording but merely the dubbed version of 973.
Oh well; I guess I'm still looking for that early version of 1015.
Uncle Dave Lewis
uncledavelewis at hotmail.com
*7900 was issued in two takes; 7900 and 7900a. 7900 was used on Champion 15150, whereas 7900a appeared on Rainbow 1015 and
Silvertone 4894. Gennett 4894 used both takes.
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