[78-L] Count John McCormack Vol. VII, 1904-1906. "Produced to Pearl Quality Criteria"

David Lennick dlennick at sympatico.ca
Thu Jan 10 06:08:01 PST 2013


I did several complete projects for Pearl beginning in 1994, and at that time 
they were definitely raising their standards and wanted clicks razored out and 
a modicum of EQ and didn't object if I centered the records. Their reputation 
was so bad that when I asked to borrow an item from Jeff Healey, he said that 
it was in mediocre condition, I said "It's for Pearl" and he said "Oh, it'll be 
perfect." By '95 the transfers were being provided by me, Ward, Mark and 
others, CEDAR was accessible, and a while later Roger Beardsley came on board.

Anyone remember Pearl LPS!? Like the complete Elgar acousticals, with no side 
joins, no centering, no speed match-up..

dl

On 1/10/2013 4:18 AM, Christopher Steward wrote:
> I did a few transfers for Pearl and can confirm that they either did their own transfers or used those by people who, like me, didn't want to lend their discs. At the time I hadn't the Packburn or digital software that I have since used, so my results might be described as rough and ready. I assumed that they would at least edit out a couple of loud clicks that I hadn't been able to deal with, but they did nothing at all, so 'Pearl Quality Criteria' meant very little.
> I was told that they often only 'paid' contributors with a lunch, and they weren't very keen when I told them I wanted real money. They clearly operated on a shoestring, and the surprise is that their issues were as good as they often were.
>
> Chris
>
> ==============================================================
>
> The Pearl CD "John McCormack in American Song" also has transfers evidently supplied by collectors all over the globe, each with different EQ&  sense of what a transfer should sound like.
>
>
> Dennis "Bird Songs At Eventide" Forkel
>
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