[78-L] Robert Johnson SAN ANTONIO [1936]
Cary Ginell
soundthink at live.com
Mon Dec 13 17:47:11 PST 2010
I have Vo 03426 and Vo 03434. Will try them out later tonight or tomorrow morning, but I'm highly skeptical.
Cary Ginell
> To: 78-l at klickitat.78online.com
> Date: Mon, 13 Dec 2010 20:01:25 -0500
> From: rockined1 at aol.com
> Subject: Re: [78-L] Robert Johnson SAN ANTONIO [1936]
>
>
> anybody have any original Chuck Wagon Gang 78s to try out this theory??
>
> Ed
>
>
> Angeles, and a number of other US cities, had
> 10v/50cycle electric service, and when they changed to 60 cycle Southern Calif.
> dison offered an exchange program of electric appliances affected by the change
> - the most significant were electric clocks, because the cycle change would
> ake the earlier-manufactured ones run incredibly fast. I don't know whether
> he cutting equipment used was DC or AC, but this might be a factor. Or not
>
>
>
>
>
>
>
> -----Original Message-----
> From: Philip Carli <Philip_Carli at pittsford.monroe.edu>
> To: 78-L Mail List <78-l at klickitat.78online.com>
> Sent: Mon, Dec 13, 2010 7:10 pm
> Subject: Re: [78-L] Robert Johnson records claimed to be recorded 20% slow
>
>
> This is waaaaay out of my league and I generally hold that the low pitch theory
> ounds crackpotty, but I'll throw one thing in, and don't kill me: what cycle
> urrent were San Antonio and Dallas on in 1937? I mention it because of one
> ase: in the early 1930s Los Angeles, and a number of other US cities, had
> 10v/50cycle electric service, and when they changed to 60 cycle Southern Calif.
> dison offered an exchange program of electric appliances affected by the change
> - the most significant were electric clocks, because the cycle change would
> ake the earlier-manufactured ones run incredibly fast. I don't know whether
> he cutting equipment used was DC or AC, but this might be a factor. Or not.
> ________________________________________
> rom: 78-l-bounces at klickitat.78online.com [78-l-bounces at klickitat.78online.com]
> n Behalf Of Frank Scott [scottfrank at toast2.net]
> ent: Monday, December 13, 2010 5:48 PM
> o: '78-L Mail List'
> ubject: Re: [78-L] Robert Johnson records claimed to be recorded 20% slow
> The technical explanations seem very thorough and impressive particularly to
> non musician like myself but the whole theory doesn't make sense. Johnson
> as recorded on five different dates with about seven months between the
> irst batch of sessions and the second. Are we to believe that the recorder
> as running slow at all those sessions? Or are we to suppose that they did
> t deliberately to make Johnson's recordings sound more exciting?
> And of course there were the people who knew Robert well like Son House,
> ohnny Shines and Robert Lockwood who never claimed that the records seemed
> oo fast to them.
> It's an intriguing idea that has been discussed at lengths on the blues
> ists and the consensus amongst most of the blues scholars on those lists,
> ome of whom are accomplished musicians, is that the theory doesn't hold
> ater.
> Frank
> > -----Original Message-----
> From: 78-l-bounces at klickitat.78online.com [mailto:78-l-
> bounces at klickitat.78online.com] On Behalf Of Jeff Lichtman
> Sent: Monday, December 13, 2010 2:19 PM
> To: 78-l at 78online.com
> Subject: [78-L] Robert Johnson records claimed to be recorded 20% slow
>
> When I found the following article several weeks ago I paid it little
> attention, as it seemed like a crackpot theory. The claim is that
> Robert Johnson's records were originally recorded three semitones
> slower than how they're typically played back (i.e. people have been
> playing them back about 19% too fast). Assuming that they're usually
> played at 78.26 RPM, that would mean the proper playback speed would
> be around 65.8 RPM. Here is the article, along with samples of the
> recordings slowed to the speed the author believes is correct:
>
> http://www.touched.co.uk/press/rjnote.html
>
> Now I see that this article has gotten attention from The Guardian:
>
> http://www.guardian.co.uk/music/musicblog/2010/may/27/robert-johnson-
> blues
>
> and something called The Daily Swarm:
>
> http://www.thedailyswarm.com/headlines/everything-you-know-about-robert-
> johnson-wrong/
>
> I think the idea is nonsense. I can believe that the correct playback
> speed for Johnson's records is something other than 78.26, but I
> highly doubt that the difference is three semitones.
>
> Thoughts?
>
>
> - Jeff Lichtman
> jeff at swazoo.com
> Check out Swazoo Koolak's Web Jukebox at
> http://swazoo.com/
>
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