[78-L] Smallest Transcription Disc?

[David Lennick]

Two of these works dated from the 1930s, the Concert Overture from 1957. Rozsa had been a US resident for 17 years by that time. Hard to believe he wasn't getting paid for them when he recorded them for Decca, and the Varese reissue credits SESAC. (Wouldn't you think Miklos would have joined ASCAP long ago? Even if every note on this album was stolen from Kodaly, Dohnanyi and just to show there were no hard feelings, Hindemith.)

dl
 
> Date: Thu, 5 Aug 2010 22:54:26 -0400
> From: jeffsultanof at gmail.com
> To: 78-l at klickitat.78online.com
> Subject: Re: [78-L] Smallest Transcription Disc?
> 
> These were all published by a German company named Breitkopf and Hartel.
> SESAC began in 1931 by representing concert music by French and German
> publishing companies, collecting mechanicals and royalties for performances
> in the U.S.; ASCAP had no agreements with these companies, and these monies
> weren't being collected by anyone.
> 
> Jeff Sultanof
> 
> On Thu, Aug 5, 2010 at 10:06 PM, David Lennick <dlennick at sympatico.ca>wrote:
> 
> >
> > And can anyone here name any music bearing the SESAC imprint? Actually, I
> > can..Miklos Rozsa's Concert Overture, 3 Hungarian Sketches, and
> > Theme-Variations and Finale (Decca DL 9966, Varese Sarabande VC 81058) are
> > SESAC.
> >
> >
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