[78-L] Gene Lees RIP
David Lewis
uncledavelewis at hotmail.com
Thu Jul 22 02:08:19 PDT 2010
I do believe that mention of Gene Lees' passing was made on this list at around the time of the event. But I don't recall seeing anything as detailed as this article from the Independent (UK). Apologies for cross posting.
UD
Gene Lees: Singer and songwriter who was also an unforgiving music critic
Thursday, 22 July 2010
One of the several albums Lees recorded of his own songs
Although Gene Lees was known as a perceptive music writer and
biographer, he was also a fine lyricist, writing such stylish standards
as "Yesterday I Heard the Rain", "Someone to Light Up My Life" and
"Quiet Nights of Quiet Stars". This talent gave his music writing an
extra authority and he was a joy to read even if you didn't agree with
him. He thought that today's lyrics portrayed "a vision of loveless sex"
and that the songwriters were doing as much as pornographers to destroy
the mystery of women.
Gene Lees' parents, Harold and Dorothy, were born in England, but
emigrated to Canada with their respective parents. Harold had been a
coal miner, but in Canada he played violin in an orchestra which
accompanied silent films. Lees studied in Hamilton and then at the
Berklee College of Music in Boston, Massachusetts. He developed a love
of popular music, the Great American Songbook, plus classical music and
jazz. His favourite lyric writer was Jerome Kern, and he called Cole
Porter's "Begin the Beguine" "the greatest song written in America
because of the way it sort of builds operatically. What a piece of work
that is."
From 1948 to 1955, Lees worked as a reporter then as an arts critic in
Louisville, Kentucky. He wrote uncompromising reviews: the Louisville
Orchestra had never received such critical notices and many of the local
jazz musicians loathed him. This pattern echoed throughout his life.
In 1959, Lees became editor of Down Beat jazz magazine, and delighted in
disparaging rock'n'roll, dismissing it as junk. He loved Nat "King"
Cole's piano playing and adored Peggy Lee: "She was completely
motionless. Maybe she'd give a flick of the eyebrow or a slight gesture
with her finger. The point was that you heard the song. She got out of
the way of the song."
In 1961, Lees left Down Beat, objecting to the dismissal of the art
director. He wrote his resignation in the form of a lyric, "It's
National F*ck Your Buddy Week". He managed the Paul Winter Sextet on a
trip to Latin America; while there he discovered bossa nova and, on a
bus journey, wrote an English lyric for Antonio Carlos Jobim's
"Corcovado", calling it "Quiet Nights of Quiet Stars". He went on to
work on other songs with Jobim. He regarded Sinatra's smooth and subdued
performance of "Quiet Nights of Quiet Stars" (1967) as the definitive
recording of any of his songs, and in 1969 he coached the musicians when
Sinatra made an album with Jobim which included three of his songs.
Lees wrote English lyrics for several Charles Aznavour compositions,
including "Paris Is at Her Best in May", "There Is a Time", "Little
Train" and, in particular, "Venice Blue", recorded by Bobby Darin in
1965. He wrote "Waltz for Debby" with the jazz pianist Bill Evans,
recorded by Tony Bennett and Al Jarreau, and the theme for the film
Darling (1965) with John Dankworth, recorded by Sarah Vaughan. Lees'
novel about an American jazz musician adrift in Paris, And Sleep Until
Noon, was published in 1967.
Lees became pop editor of the magazine High Fidelity, but he continued
his contempt for the popular music of the day, loathing the Beatles, and
when he and Johnny Mercer went to see Hair they left after a few
minutes, dismissing it as "absolutely cretinous". He commented in Down
Beat: "Paul McCartney is a musical ignoramus, although he has a certain
amount of melodic flair. He is not interested in fitting long vowels to
long notes, short vowels to short notes, and why should he be? The
performances by rock groups are so distorted that fine points of craft
are inaudible. Bob Dylan has the worst ear for song of anybody I have
ever heard. It may be justified by calling it 'the broken-glass poetry
of Bob Dylan', but that's nonsense. Bob Dylan doesn't know a thing about
craft."
His most intriguing composition is "Yesterday I Heard the Rain", which
has been recorded by Tony Bennett, Perry Como and Shirley Bassey. On
first hearing it sounds like a wistful song of lost love, but the images
contain hints of paranoia; who are the "faceless people"? It was written
at the time of the "Is God Dead?" debate and the lyric reflected it:
"Yesterday I heard the rain / Whispering your name / Asking where you'd
gone". For a man so meticulous about rhyme and whose best-selling book
was The Modern Rhyming Dictionary, the song contains a false rhyme –
"rain" and "flame".
Starting with The Gene Lees Songbook (1972), Lees recorded several
albums of his own songs. His most unusual assignment was to adapt some
poems in Polish by Pope John Paul II, and they were interpreted in
concert and on record by Sarah Vaughan as the project One World, One
Peace (1985).
Since 1981, Lees had been writing his subscription-only Jazzletter. The
informed opinions of Lees and his contributors were highly appreciated.
Singers and the Song (1987) was a thought-provoking collection of his
essays, while other collections were Meet Me at Jim & Andy's (1988) and
Waiting for Dizzy (1991). His third wife, the former Janet Suttle, who
plans to continue Jazzletter. Lees analysed racism in music in Cats of
Any Color (1994) and wrote biographies of Oscar Peterson, Woody Herman
and Johnny Mercer as well as a study of the songwriters Lerner and
Loewe, and he worked with Henry Mancini on his autobiography. At the
time of his death he was working on a biography of Artie Shaw.
Spencer Leigh
Eugene Frederick John Lees, singer, songwriter and critic: born
Hamilton, Ontario 8 February 1928: married three times (one son); died
Ojai, California 22 April 2010.
Uncle Dave Lewis
uncledavelewis at hotmail.com
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