[78-L] How I Came to Listen to Classical Records [FWD]

[Mike Harkin]

What a lovely fairy tale.  I know it's a fairy tale, 'cause the collector sold his collections at
a huge profit.  Over the years I have sold various collections [coins/banknotes/stamps/
model trains/records/cd's] -- some of them mine, and some my first wife's -- and ALWAYS
at  an enormous financial loss!  Never mind the pain, as it's like selling a bit of oneself.
 
Mike in Plovdiv

--- On Tue, 5/4/10, Michael Biel <mbiel at mbiel.com> wrote:


From: Michael Biel <mbiel at mbiel.com>
Subject: Re: [78-L] How I Came to Listen to Classical Records
To: "78-L Mail List" <78-l at klickitat.78online.com>
Date: Tuesday, May 4, 2010, 2:56 PM


Makes as much sense as some other postings I've seen here!!!  Great
writing but I think Geoffrey listened a bit too much to "My Word"!

Mike Biel  mbiel at mbiel.com 


-------- Original Message --------
Subject: [78-L] How I Came to Listen to Classical Records
From: Geoffrey Wheeler <dialjazz at verizon.net>
Date: Tue, May 04, 2010 10:20 am
To: 78-l at klickitat.78online.com


When I was a very young lad, a passing stranger took an interest in me, 
gave me a windup phonograph, a stack of classical and opera records, 
and paid me so much per disc to listen to the music. I preferred Henry 
Burr, but there was no money in that. I carefully saved all my money 
and eventually bought a parrot. I named him “Glockenspiel” after the

Glockenspiel Concerto. I soon discovered the parrot loved music and 
began to imitate what he heard. He became so skilled at singing arias 
in different languages and humming each part of entire scores of 
symphonies, I was able to sell him for a fabulous sum of money. He 
eventually went on tour and became Arthur Godfrey. Upon the advice of 
another passing stranger, I invested this sum in rare stamps and coins. 
Within a matter of days, I sold these at a significant profit. I then 
traveled to Europe. On the advice of William Randolph Hearst, I bought 
my own classical orchestra and shipped it back to America. To keep my 
orchestra employed, I started a record label, which, in turn, spawned 
other record labels. I sold them everywhere, even on television. You 
may remember the “High on...” series—High on Bach, High on
Verdi... 
Unfortunately, everything was returned. Broke, I had to disband the 
orchestra, bought a storage shed that miraculously came with milk 
crates, and that is how I became a record collector
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