[78-L] Damage Control on Acoustic 78s?

[neechevoneeznayou at gmail.com]

I am thinking that using too small a stylus will make the records sound 
really bad but probably not do that much harm, if the other factors are 
all ok.

If the stylus rides the bottom of the groove, thru all the trash and 
debris therein, you will hear it. When you switch to a larger stylus it 
should ride above that and sound better. If the bottom of the groove is 
damaged but the stylus no longer contacts that portion, it will be as if 
that damage is not there.

That's my thought.

joe salerno


beststuff4u at frontiernet.net wrote:
> They say ignorance is bliss, so that would make me extremely blissful.
> 
> All these years I played 78s without recognition that there were factors under my control that could either cause or avoid damage to my records. The worst I ever experienced was poor sounding music. Now that I am aware of the possibilities of certain damage factors, I need to understand how to detect them before any damage is done. I'm preparing to make some equipment changes as well as to start listening to my most treasured acoustics that I have not played in many years. Until now I've only been playing electric 78s.
> 
> The factors I am concerned about are:
> 
> 1. Wrong stylus size.
> 2. Wrong stylus shape (i.e. conical, elliptical, truncated elliptical,etc.)
> 3. Improper tracking pressure.
> 4. Mismatch of cartridge to tonearm (tonearm weight and cartridge compliance).
> 
> Rather than learn thru trial and error and ruin my acoustics, I am hoping that the esteemed members of this list can answer some very elementary questions.
> 
> 1. For the four concerns listed above, how do damage potentials present themselves? Visual? Audio? Other? 
> 2. I often read about "mistracking" as a potential to destroy a record in short order. How is mistracking recognized?
> 
> Thank you for any help in getting me out of my blissful (i.e. ignorant) state.
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