[78-L] fwd: advice on a technical solution
joe@salerno.com
jsalerno at earthlink.net
Tue Oct 21 14:19:53 PDT 2008
I am wondering why to Xfer a mono source to 2 channel stereo file, when
all this does is increase file size. What is the advantage, if any?
I would save mono material to a mono file.
joe salerno
David Lennick wrote:
> Any thoughts?
>
> Gibbons, John wrote:
> (reply to <jrgibbons at hotmail.com>)
>> I'm in the midst of a multi-year project of transcribing vintage RTR,
>> cassette, and disc based source material to *.wav format for hard drive
>> and CD storage. The first priority is to complete the transfers to
>> digital reference files. I may later attempt light digital restoration.
>>
>> The PC equipment I'm using is getting well along in age. I'm looking to
>> upgrade it, most likely to a Vista based platform from XP. I'm using
>> two PCs, each equipped with an Audigy Sound Blaster card.
>>
>> I utilize two machines for my rather inelegant solution to Scenario II,
>> described below. Ideally I would like to replace the two PCs with a
>> single PC, if it can be used for Scenario II.
>>
>> Scenario I is pretty easy --
>>
>> Record from RTR source that is either a stereo or "dual"
>> monophonic Channel output. i.e.:
>>
>> Source A Track 1 Right Channel - brass
>> Source A Track 1 Left Channel - woodwinds
>>
>> Save to a single target *.wav file (either stereo or "dual"
>> monophonic):
>>
>> Target File A Right Channel (i.e. Source A Track 1
>> Right Channel - brass)
>> Target File A Left Channel (i.e. Source A Track 1 Left
>> Channel - woodwinds)
>>
>> Scenario II is more challenging --
>>
>> Record from RTR source that has separate unrelated mono
>> material on the Right and Left Channels (e.g. Right is Benny
>> Goodman, and Left is Duke Ellington) output. i.e.:
>>
>> Source B Track 1 Right Channel (e.g. Benny Goodman)
>> Source B Track 1 Left Channel (e.g. Duke Ellington)
>>
>> Save to two target *.wav files (each with "dual" monophonic
>> Channels)/ at the same time/:
>>
>> Target File A Right Channel (i.e. Source B Track 1
>> Right Channel)
>> Target File A Left Channel (i.e. Source B Track 1
>> Right Channel)
>>
>> This would be the Benny Goodman target file.
>>
>> Target File B Right Channel (i.e. Source B Track 1
>> Left Channel)
>> Target File B Left Channel (i.e. Source B Track 1 Left
>> Channel)
>>
>> This would be the Duke Ellington target file.
>>
>> Any advice on suitable sound cards and software to support Scenario II,
>> particularly using a single Vista PC, is most welcome.
>>
>> Also, if you'd please be so kind to share any insights on digital
>> restoration tools for subtle use, mostly to address tape hiss and
>> scratch noise. I understand that Sound Forge is a powerful tool, but
>> I've not utilized it nor any alternative application.
>>
>> Thank you very much in advance for your time and assistance. I really
>> appreciate your help.
>>
>> Sincerely yours,
>> John
> _______________________________________________
> 78-L mailing list
> 78-L at klickitat.78online.com
> http://klickitat.78online.com/mailman/listinfo/78-l
>
More information about the 78-L
mailing list