[78-L] Transcriptions (78s & 33s)
Malcolm
malcolm at 78data.com.invalid
Wed Apr 1 13:09:21 PDT 2020
What different people call transcriptions seems to vary a lot.
To me the primary definition from which all other forms depend, is a 12"
or 16" plastic or instantaneous lacquer disc recorded at either 33.3rpm
or 78rpm. Usage of the material thereon is also important, but secondary
to the prime definition.
There are numerous collectors out there who consider other forms &
usages as transcriptions: test pressings, (Radio) air checks, Syndicated
radio shows, instantaneous lacquers, V-Discs, one-off recordings, and more.
One of the three projects I have been working on, especially now with
the ongoing "stay at home" routine in place, is a discography of
Hawaiian Transcriptions. Originally conceived by a Hawaiian record
collector in Europe I thought "here's a quick and easy piece of work
which I can tackle for a friend." Alas, I discovered there are far more
of them than I figured. Still manageable, though. I had already come to
the conclusion that "in discography there is no 'quick & easy'."
My other two projects are a 2nd updated and corrected edition of my
Hawaiian discography and a complete discography/ labelography of the
Starr Piano Company's output - Gennett, Champion, Superior, Silvertone,
Supertone, and on and on and on. I'm still working on all three.
But I digress...
As to other forms & usages, here's my current take on the ones mentioned
above:
Test pressings: these are not transcriptions even if recorded under the
prime definition.
(Radio) air checks: these are not transcriptions even if recorded under
the prime definition.
Syndicated radio shows: these are mostly transcriptions. See next category.
Instantaneous lacquers: these can be transcriptions if they're copies of
actual transcriptions or if they are master recordings meant to be used
as physical masters for purposes of reproduction and/or syndication.
V-Discs: Here's an odd mutation! These were used for over-the-air
broadcast by the Armed Services during and after WW2. Much, but not all,
of the material thereon was drawn from pre-existing commercial 78s,
especially in the format's earliest incarnation. Since these meet the
prime definition, even though the secondary definition has not been met,
I reluctantly consider V-Discs as transcriptions.
One-off recordings: possible, especially if the master disc is used for
duplication and distribution to radio stations, for instance. But, since
the lacquer master record would be destroyed in the plating and
duplication process, the point is moot. So? Maybe.
And more: I'm open to new definitions and ideas here.
Thanks for the great topic, Dave!
Malcolm Rockwell
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