[78-L] Columbia & Gennett - was: Triangle 11290

[Darrell Lehman]

Ia "acousticals" the proper... grammar?  Or should they be referred to 
as "acoustics"... ?

David Lennick wrote:
> For that matter, look in the "Royal Blue" catalog (1934 I think)..lots of the
> 7000 Educational series Columbias still in print, and they were acousticals.
>
> dl
>
>
> On 9/6/2017 7:46 PM, Malcolm wrote:
>> I agree!
>> Malcolm
>>
>> *******
>>
>> On 9/6/2017 9:16 AM, David Lennick wrote:
>>> Simple..educational recordings were played on wind-ups and who'd really care?
>>> It would be Ginn keeping them in print until they were re-recorded (if they were).
>>>
>>> dl
>>>
>>>
>>> On 9/6/2017 2:17 PM, Rodger J. Holtin wrote:
>>>> Help me understand why in the name of Electrobeamic Vival-Tonalism why
>>>> Columbia - or anyone else - would continue to press acoustic masters,
>>>> especially of classical music, once the electrics came along; particularly
>>>> masters from a second-string outfit like Gennett.
>>>>
>>>> There's gotta be a good story here somewhere.
>>>>
>>>> On Thu, Aug 31, 2017 at 10:19 PM, David Lennick <
>>>> dlennick at sympatico.ca.invalid> wrote:
>>>>
>>>>> The only connection I can think of between Gennett and Columbia is the Ginn
>>>>> Music Appreciation Series. Gennett did the acoustical original recordings
>>>>> and
>>>>> Columbia did the electricals, but Columbia re-pressed Gennetts that were
>>>>> still
>>>>> being kept in print.
>>>>>
>>>>>
>>>>> dl
>>>>>
>>>>>
>>>>>
>>>>> On 8/31/2017 11:16 PM, Mark Bardenwerper wrote:
>>>>>> On 8/31/2017 11:52 AM, Malcolm wrote:
>>>>>>> I cannot play it because all I have are the label scans.
>>>>>>> I will have to dig out my hard copy of the Paramount master lists (c.
>>>>>>> 1950 - Record Research associate Walter C. Allen) and check for what I
>>>>>>> can find there, if anything. Still, I can't see Paramount cutting a deal
>>>>>>> to release a Victor record on their label(s). But stranger things have
>>>>>>> happened. I have seen evidence that Gennett contracted with Columbia to
>>>>>>> release one or two of their masters, for reasons as yet unknown.
>>>>>>> Maybe checking the UCSB Victor database might help?
>>>>>>> Malcolm
>>>>>>>
>>>>>> The record we are concerned with was obviously a moonlight job. The
>>>>>> Victor was a ""gems" from the comedy opera and this one is of a lullaby
>>>>>> (not the tune's name).
>>>>>>
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