[78-L] Rock & Roll rising (was: Escott, was Arnold Covey)
eugene hayhoe
jazzme48912 at yahoo.com
Fri Mar 7 14:39:59 PST 2014
I think bassists Ransom Knowling and Big Crawford get way too little credit for their influence in the development of the sound of 'rockabilly.'
Not that either invented 'slappin' the bass' of course...
--------------------------------------------
On Fri, 3/7/14, gdkimball at cox.net <gdkimball at cox.net> wrote:
Subject: Re: [78-L] Rock & Roll rising (was: Escott, was Arnold Covey)
To: "78-L Mail List" <78-l at klickitat.78online.com>
Date: Friday, March 7, 2014, 3:58 PM
---- Malcolm Rockwell <malcolm at 78data.com>
wrote:
> Could it be possible that the dynamism between city and
country, black
> and white, standard and non-standard, etc., musical
forms is why Rock &
> Roll developed? That's far more likely, in my
estimation.
> Malcolm
>
> *******
This. Most creation stories of musical styles fixate
on a specific recording or session or artist. It makes
for good storytelling but the result is almost always
wrongheaded. Musical styles, like all aspects of
culture, develop out of an accretion of countless human
interactions, many of which didn't even leave an historical
record. We are talking about processes that not only
involve the artists and the music but the audience as well.
When Rock and Roll became a defined genre in the minds of
listeners is just as important as stylistic considerations
in my book. By the way, I'd be interested in your stylistic
definition of Rock and Roll, Joe.
Given that the development of Rock and Roll was obviously a
process of both music and market, it suprises me that the
subtitle of Escott's book is so controversial. "Sun
Records and the Birth of Rock and Roll." So
what? It's not "Sun Records Created Rock and
Roll." Yeah, it's a bit silly given the content of the
book, which covers a wide range of musical styles and
artists who recorded at Sun. But are we really
suprised that the title of a book might involve a touch of
marketing hyperbole?
Gregg
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