No subject


Tue Apr 2 19:19:20 PDT 2013


Pete Dailey (cnt) Warren Smith (tb) Stan Story (cl) Don Owens (p) Nappy =
Lamare (g,bj) Phil Stephens (tu,b) George Defebaugh (d)

Los Angeles, Ca., October 19, 1949

5099-4 At the Georgia camp meeting Cap 15434, EPA2-183, (E)CL13404

5100-1 When the saints go marching in - , - , -

5101-2 Dixieland shuffle 15433, -

5102-2 Sensation rag 15432, EPA1-183

Note : Entire session on Capitol H/T183 and (E)LC6525.

It seems that Mx. 5101-3 exists on a US issue but the information hasn't =
been confirmed.

Los Angeles, Ca., October 20, 1949

5103-2 Minnie the mermaid Cap 1055, H/T183

5104-3 Original dixieland one-step 15432, H/T183, (E)LC6525

5105-2 Daily rag 805, H/T183, (G)C80120, Folkways RBF39

5106-2 Careless love Cap 15433, H/T183, (E)C6525, (G)80120

5107-3 Big bass horn blues Cap 805, H/T183, (G)C80135

Dailey only on cnt on all his own recordings.

The mxs & comp. are shown on the labels.
Comp. of Big Bass Horn are Phil Stephens-Dippy Larkin, and this strongly =
suggests
that Stephens plays the tuba here.

han enderman
=3D=3D=3D
>>> Pete Daily's Dixieland Band

Last weekend I picked up a copy of Capitol 805 by Pete Daily's
Dixieland Band.

Master 1505=3DDaily Rag; 1507=3DBig Bass Horn Blues.  Somebody else =
thoughtfully posted it on the
internet here:

http://www.discogs.com/Pete-Dailys-Dixieland-Band-Daily-Rag-Big-Bass-Horn=
-Blues/release/3080437

Had I known to look for it instead of finding it in a pile,
I could have saved myself 99=A2.  C'est la vie, but I've certainly =
enjoyed it,=20
so it was worth it.  And, it was such a timely find with the
recent discussion of Pete Kelly's Blues.=20

I have two questions about this disc; one mechanical, one musical.

The musical question:=20
Wiki says he was Jack Webb's inspiration for his trumpeter-hero part in
Pete Kelly's Blues.  According to Feather's
New Encyclopedia of Jazz (1960), Pete was primarily a cornet player, but =
played
baritone and tuba in high school. Rust's Jazz Records (1986) shows him =
on a 1930
session playing cornet and bass sax. =20
The tuba on the solo side sure sounds like a trumpet player using a =
tuba, whereas
the tuba on the other side sure has all the robust sound lacking on the =
solo
side, leading me to conclude that Pete traded chairs with the tuba guy =
for the
solo side. =20
Can somebody confirm/deny/correct, or provide personnel for this =
session?

Rodger
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