[78-L] Use of double bass in dance bands

Philip Carli Philip_Carli at pittsford.monroe.edu
Thu Oct 25 08:09:19 PDT 2012


As a tubist, and one who played in various groups from concert to dance bands for many years, it's easy to 'blow' four-to-the-bar. It's an articulation issue, not wind.  And there are numerous 20s dance band records where the tubists handle it perfectly.  Going to string bass was a change of timbre preference and variety rather than practicality. P. Carli
________________________________________
From: 78-l-bounces at klickitat.78online.com [78-l-bounces at klickitat.78online.com] on behalf of Tim Huskisson [timhuskisson at btinternet.com]
Sent: Thursday, October 25, 2012 10:38 AM
To: '78-L Mail List'
Subject: Re: [78-L] Use of double bass in dance bands

I would suggest that it was probably the other way 'round. When Double Bass
replaced Brass Bass, the players - when allowed to improvise - would play 4
in the bar - particularly in 'hot' passages. This in turn led to the
transition to 4 in the bar becoming the norm - and helped herald in the
Swing era.
Tim Huskisson


"..A major reason for the shift to string bass in the 1920s was the
transition from two to four beat phrasing - it was difficult if not
impossible to consistently blow four beats to the bar on a tuba!"

Dave Weiner


_______________________________________________
78-L mailing list
78-L at klickitat.78online.com
http://klickitat.78online.com/mailman/listinfo/78-l

________________________________

This email message and any attachments may contain confidential information. If you are not the intended recipient, you are prohibited from using the information in any way, including but not limited to disclosure of, copying, forwarding or acting in reliance on the contents. If you have received this email by error, please immediately notify me by return email and delete it from your email system. Thank you.


More information about the 78-L mailing list