[78-L] Howard Scott obit

David Lennick dlennick at sympatico.ca
Tue Oct 9 08:45:27 PDT 2012


I've never seen any of these, so I can't say, but aural evidence suggests that 
they recorded more than one segment on a 16" disc. The aural evidence is 
notably duller sound on some sides, indicating that they weren't always dubbing 
from something recorded at the outer edge of the disc. There is not a chance in 
the world that long works or complete movements were recorded non-stop (okay, I 
know, somebody will come up with contradictory evidence to that blanket 
statement). My guess is that alternative takes would be on the same disc.

dl

On 10/9/2012 11:39 AM, Julian Vein wrote:
> On 08/10/12 04:32, David Lennick wrote:
>> http://www.nytimes.com/2012/10/07/arts/music/howard-h-scott-a-developer-of-the-lp-dies-at-92.html?hpw&_r=1&
>>
>> The transfers were made from 16-inch lacquers, not 78s, but that fact is too
>> complicated for young journalists to comprehend.
>> dl
>> _______________________________________________
>>
> In what sequence would, say, a symphony, be recorded on 16" lacquers?
>
> Would it be:
> 1. 1st Movement - Part 1.
> 2 1st Movement - Part 2.
> 3. 2nd Movement - Part 1.
> 4 2nd Movement - Part 2. etc
> then any re-takes at the end.
> or
> 1. 1st Movement - Part 1 - take 1.
> 2. 1st Movement - Part 1 - take 2.
> 3. 2nd Movement - Part 2 - take 1.
> 4. 2nd Movement - Part 2 - take 2. etc?
>
>        Julian Vein
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>



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