[78-L] Who Was Joyce Hatto?

[neechevoneeznayou at gmail.com]

Seriously?

I've heard a live performance by JH, only one to be sure, but I didn't 
find her playing to be so exceptional. Seems unfair to condemn her based 
on one performance, but the same also applies, to call her incredibly 
talented based on a very small number of surviving records.
As far as testimonials go, there are also qualified persons who had the 
opposite impression of her playing. I recall reading one, or hearing 
about it perhaps on the radio, from someone with the BBC who heard her 
play an audition. The BBC rejected her.

I'm afraid WBC did exactly the opposite of what he says he intended to 
do. JH will be remembered forever more (or as l ong as she is remembered 
at all) as the woman whose husband made her famous posthumously for all 
the wrong reasons.

joe salerno


On 9/27/2010 12:43 AM, D P Ingram wrote:
> All:
>
> A very interesting little listen, sadly you need to be quick as it goes "dark" in a day's time (sorry, only just got around to listening to it).
>
>
>> From the BBC: http://www.bbc.co.uk/programmes/b00tt6f6
> '
> In June 2006, the death was announced of the pianist Joyce Hatto. She was heralded as a great lost genius of classical music- a reclusive woman who almost never performed in public, but who in later life had created sublime recordings in private. A few months later it emerged that those recordings were fake- lifted from other performers and tweaked in the studio - which leaves a question hanging.
>
> In this programme, the biographer Anne Sebba asks 'Who was Joyce Hatto?'
>
> 'In the final few years of her life, she released a huge range of CD recordings which swamped the market and were praised to the hilt by a select band of reviewers,' says Anne, 'I remember thinking, Where had this amazing talent been all these years'? Then, after a pile of glowing obituaries, which told of her four decade battle with cancer, these recordings of the pianist Joyce Hatto were branded as fake - copies of commercial recordings made by other artists, - not by Joyce at all.
>
> In this programme, her husband, William Barrington Coupe, the sound engineer for her recordings, said that he alone was to blame for the deception- acting purely out of love, and replacing passages of his wife's playing with other artists.
>
> But behind the final deception, there is an intriguing story of an incredibly talented pianist marred by ill-health.
>
> The conductor George Hurst talks about working with Joyce in the early 1960s. The novelist Rose Tremain recalls Joyce as an inspirational piano teacher. The critic Lewis Foreman remembers an extraordinary performance at Guildford.
>
> Producer: David Prest
> A Whistledown Production for BBC Radio 4
>
>
> ¦ D P Ingram ¦ Ab Ingram Oy ¦
> ¦ darren at ingram.fi ¦  www.ingram.fi ¦
> ¦
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