[78-L] Blue Rhythm Records: Help Anyone!
Geoffrey Wheeler
dialjazz at verizon.net
Wed Jul 28 16:47:39 PDT 2010
After help and information on Blue Rhythm from Han and Julian, I
ventured onto the Internet to see what more I could find about “Blue
Rhythm.” From a blog devoted to Blue Rhythm, I copied the following.
“In the 1950′s ,several young jazz fiends in Bombay started the first
club and only jazz “magazine” in India. The magazine was called Blue
Rhythmm.. From what I hear, it was a mimeographed broadsheet that
included record reviews, observations on the genre, and even reviews of
local musicians. It would be great to see a copy of this on this site !
Yusuf Curmally, Coover Guzder, Niranjan Jhaveri, Soli Sorabjee,
,Jahangir Dalal, Praful Mehta, Farrokh Mehta, were the founders of this
passion fuelled mission. Here is what Farrokh has to say about the
club:
“……is how the jazz club idea took root in the late 40′s and 50′s in
Bombay. There were Sunday afternoon jam sessions in a building
(warehouse?) on what is now P D’mello Road. Rusi Captain (fabulous and
ahead of his time) on the piano, Rusi Sethna on the clarinet, Dhun
Nasikwala (drums). The “visitors” included Noman Mobsby (divine tenor
sax) and even Rudy Cotton on a couple of occasions. The audience? A
handful of jazz junkies.
Beyond this, there was life with Norman Mobsby with Dizzy Sal (piano)
at the Ambassador Hotel, still standing close to the sea. We were broke
enough to sit with one coffee for a full hour from6.30 to 7.30 before
the moneyed dinner-clients came and we were then politely booted out.
The coffee was passable and, for us then, expensive; the jazz ― mostly
in response to our passionate cries ― was fabulous. And at Volga
Restauarant (long converted into shops!) at Fountain, Sunday mornings
were jam session time with Mickey Correa (clarinet), Hal Green (tenor
sax) as “guests”.
“The beauty of it was that we were all broke and could afford one or
maybe two coffees. But we were a helluva audience, enthusing the
musicians who otherwise were pestered with “dance requests” by the hoi
polloi.
Aahh ! them were the days!!!!!!!”
(Second item)
Dear Jazz Lovers:
“While we are putting together names of those who have contributed to
the story of jazz in India, let us not forget an important name,Yusuf
Curmally, whose family owns Rhythm House, the oldest and best business
establishment that sells music in Bombay. His younger brother still
runs it.
“He was one of the founders, including Coover Guzder, Niranjan Jhaveri,
Soli Sorabjee, Jehangir Dalal, Praful Mehta, of the group that was at
the heart of jazz in Mumbai. Blue Rhythm, also published a great
magazine by that name, whose attractive logo of a jazz guitarist was
designed by a talented Parsi artist, Mehli Gobhai (he has returned to
India and now lives in Mumbai), whose mastery of line was as good as
that of the great David Stone Martin, who graced so many jazz covers,
particularly at Verve. Yusuf made possible the sale of jazz records in
difficult times and
“...He was the quiet but important “detail” man in the Blue Rhythm
group, which issued some 78 records, including one of a UK based jazz
group led by a vibraphonist (Victor Feldman) who later went on to the
USA to make a name for himself, whom they had arranged to come to
Bombay for concerts at the Taj Mahal Hotel.
“Yusuf encouraged us next generation jazz fans to indulge in our love
of this strange and devilishly attractive music with a beat, by making
it available in his shop.... Talking of Coover Guzder, my modern jazz
guru, before he died, had put together one of the greatest collections
of Charlie Parker recordings in the world. Because of the generosity of
his wife, Malini, who I believe resides in Bangalore, this collection
is now housed in the Al Cohn Jazz Museum near Philadelphia. There are
so many unsung heroes in this continuing story!”
Promodh Malhotra
Note: The late Coover Gazdar (died 1998) was a member of the IAJRC and
compiler of “Easy Swing,” a discography of Wardell Gray ( May 1997). He
also wrote and compiled “First Bass: The Oscar Pettiford Discography”
(1991). Both were self-published in Bangalore, India. IAJRC offers a CD
of rare recordings and concert dates by Pettiford issued on CD1010 (see
IAJRC website for details).
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