[78-L] National Records

[Dan Van Landingham]

I love it.What can you guys tell me about the 78s Herb Jefferies did for the Exclusive label?I have a 78 of 
him doing "Basin Street Blues" which had an alternate set of lyrics as did the other side which was "These
Foolish Things" which also had an alternate set of lyrics.I somehow connect them with a company called
H & R.A drummer friend of mine named Nick Pelico claimed to have cut an album for them.He ws in the
Hollywood studios for years and his main claim to fame was that Bobby Hackett was a childhood friend
of his along with a long since forgotten tenor player named Bernie Billings and some other guy.



________________________________
From: Taylor Bowie <bowiebks at isomedia.com>
To: 78-L Mail List <78-l at klickitat.78online.com>
Sent: Mon, April 5, 2010 9:28:42 PM
Subject: Re: [78-L] National Records

Like the song "With a Hey-nonny-nonny and a not-so-good."

I guess I'd just blocked his name out of my mind...no I'll try to block his 
VOICE out of my mind.

T


----- Original Message ----- 
From: "David Lennick" <dlennick at sympatico.ca>
To: <78-l at klickitat.78online.com>
Sent: Monday, April 05, 2010 9:21 PM
Subject: Re: [78-L] National Records



Kenny Hey-not-so-good.



dl

> From: bowiebks at isomedia.com
> To: 78-l at klickitat.78online.com
> Date: Mon, 5 Apr 2010 21:11:47 -0700
> Subject: Re: [78-L] National Records
>
> Whose that adenoidal Mr. B imitator on the Birth of the Cool version of
> "Darn That Dream"? Man, he is beyond hope.
>
> T
>
>
>
> ----- Original Message ----- 
> From: "Geoffrey Wheeler" <dialjazz at verizon.net>
> To: <78-l at klickitat.78online.com>
> Sent: Monday, April 05, 2010 8:17 PM
> Subject: [78-L] National Records
>
>
> Dan Van Landingham says: ‘Kenny "Pancho" Hagood was far worse judging
> from the recordings he made with Miles.”
>
> One can add to that the name of Earl Coleman, perhaps best known for
> his rendition of “This is Always” with Charlie Parker for Dial Records.
> In listening to multiple takes of various tunes Coleman recorded, one
> can hear the strain in his voice as he tried to sound like Eckstine. By
> the end of a session, he must have been on the ropes.
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