[78-L] Comments from recent donor to LOC
Steve Ramm
steveramm78l at hotmail.com
Sat Mar 27 10:44:14 PDT 2010
Dave Hummel - a collector - posted a nice report on his visit to both LOC facilities on the cast records newsgroup. There was enough relevant info in his post that I asked Dave if I could cross post it. He gave me permission to post on both 78-L and ARSClist so I'm doing that. I think you'll find it interesting.
Steve Ramm
Hello All,
I would like to thank several people for the wonderful trip I had
going to the Library of Congress in both Washington, D.C. and
Culpeper, VA. Mark Horowitz, Senior Music Specialist with the Music
Division and CastRecL member, Sam Brylawski who used to head the
Recorded Sound Division, now retired and creating a complete
catalogue of RCA 78s, also on CastRecL. In addition, many thanks go
to Gene DeAnna who now heads the Recorded Sound Division in Culpeper, VA.
I arrived with a friend on Monday (22nd) and went directly to the
Music Department in the Madison Building to meet with Mark
Horowitz. We had a great time seeing it for the first time and also
touring the Jefferson Building which has to be the most beautiful
building in Washington, D.C. After dinner we came back to the
Jefferson Building's Coolidge Auditorium to see a concert version of
LIFE BEGINS AT 8:40. The one night presentation will be recorded
next week and issued on PS Classics. The concert was a delight. and
I, for one, can't wait for the CD. It was such a treat to hear this
score with the original orchestrations played by 22 wonderful
musicians. Thanks to Mark and Sam for seeing that there were tickets
for us. At this same event it was great to meet Doug Reside
(CastRecL member) from the University of Maryland, who is creating a
web site honoring the career of Danny Kaye.
For information on LIFE BEGINS AT 8:40 go
to: http://blogs.loc.gov/music/2010/03/life-begins-at-840/
On Tuesday Sam picked us up and we drove to Culpeper, VA to visit the
Recorded Sound Division. This was the first time I have visited
since I donated the collection. I know some folks have a vision of
donating a collection only to have it end up stored in boxes
gathering dust in some musty basement of an organization. Well, let
me tell you, nothing could be further from the truth at the Library
of Congress. Gene met us and we toured the facility. To call the
place amazing would be an understatement..
After visiting the theatre where films in the Library's collection
are shown regularly, we went to see where new acquisitions are stored
until they are processed. When my collection arrived it took up an
entire wall of this huge room. Now is takes up a few shelves with a
small number of personality CDs and a few 10 1/2 inch reels yet to be
processed. Ninety nine percent of the collection has been processed
and is in one of many environmentally controlled storage
vaults. Each item is given a catalogue number and bar code. As
things are processed the information is entered into a database. As
the recordings are digitized a small icon will appear next to the
item and one can then listen to it on the computer or have it piped
into one of many listening rooms. Listening can be done in Culpeper
or in Washington, D.C. once the item has been digitized.
Next we saw the high speed robotic machines that work 24/7 to
reformat the analog content of video cassettes. In other rooms
engineers work to digitize analog audio recordings such as the
thousands of tapes in my collection. They have already started to
digitize my collection but these analog recordings must be done in
real time. I was then introduced to IRENE (Image, Reconstruct, Erase
Noise, Etc.), which basically makes a digital image of a broken
record and can reconstruct the recording from this. The technology
there is absolutely unbelievable. For anyone interested, here is a
link which gives you details of the facility and the
technology. . http://www.loc.gov/loc/lcib/06078/navcc.html
Before going home we met my good friend Judy Temperley (another
CastRecL member) for lunch. All in all it was a great trip to see
where my collection now resides.
Again, my sincere thanks to Mark Horowitz, Sam Brylawski and Gene
DeAnna for making it possible.
David Hummel
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