[78-L] Cleveland
Matthew Duncan
recordgeek334578 at yahoo.com
Sun Jan 24 19:26:39 PST 2010
It would be interesting to compare Britain during the depression in a similar way.
I am not certain, but I think that Columbia and HMV issued alot of new solo classical works during the depression but not much large orchestral works.
I am classing the depression in Britain as 1930 to 1938 with a little economic recovery before mid to late 1939 when the economy became unstable again when WWII broke out.
Matthew.
________________________________
From: David Lennick <dlennick at sympatico.ca>
To: 78-L Mail List <78-l at klickitat.78online.com>
Sent: Mon, 25 January, 2010 3:05:49
Subject: Re: [78-L] Cleveland
DAVID BURNHAM wrote:
> There's at least an 11-year gap between the Brunswicks and Columbias. Don't
> forget, during the Depression NO American orchestras were recording except the
> Philly under Stokowski..Columbia even got the Boston Symphony one time, and
> recorded it live and screwed it up (notes missed).
>
> dl
>
> ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
>
> What are you calling the depression? Certainly Toscanini and the NBC/NYPO recorded in the 30s, Boston also recorded on Victor then, as did Ormandy with Minneapolis and Philadelphia along with others. I know that you know all this so I'm obviously missing something.
>
> db
> _________________________
Correct..I neglected to say that Victor began recording orchestras again in
early 1935 with the Minneapolis Symphony, the Boston Pops in July that year,
and the Boston Symphony Orchestra a bit later (this appeared in a later
message). But aside from the Philadelphia Orchestra, all contracts were allowed
to lapse after 1930 and even Stokowski had to record with a smaller orchestra.
dl
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