[78-L] Response to Steinweiss article
Rodger Holtin
rjh334578 at yahoo.com
Mon Dec 28 16:05:00 PST 2009
Use it anyway! They can always edit it out, but it never hurts to blow your own horn in heavy traffic.
Rodger
Private Citizen who owns a few old records.
For Best Results use Victor Needles.
.
--- On Mon, 12/28/09, Cary Ginell <soundthink at live.com> wrote:
From: Cary Ginell <soundthink at live.com>
Subject: Re: [78-L] Response to Steinweiss article
To: 78-l at klickitat.78online.com
Date: Monday, December 28, 2009, 5:50 PM
Yes, but the Times generally does not include more than the person's name and city where they live. I don't think I really need to do this in this case anyway, since my statement contains facts that speak for themselves. The letter is not just my opinion against theirs, so I don't need to prop myself up with all kinds of qualifying credentials. If anyone's interested in who I am, they will most likely Google my name and come up with a list of my published works and background.
Cary Ginell
> Date: Mon, 28 Dec 2009 15:45:56 -0800
> From: rjh334578 at yahoo.com
> To: 78-l at klickitat.78online.com
> Subject: Re: [78-L] Response to Steinweiss article
>
> And, speaking of credibility, are you not a current or former broadcaster, and the author of a published work on recordings made during the 78-rpm era, and can you not use that information in your signature of your letter to the Times??
>
> Rodger
>
>
>
> For Best Results use Victor Needles.
>
>
>
> .
>
> --- On Mon, 12/28/09, Cary Ginell <soundthink at live.com> wrote:
>
> From: Cary Ginell <soundthink at live.com>
> Subject: [78-L] Response to Steinweiss article
> To: 78-l at klickitat.78online.com
> Date: Monday, December 28, 2009, 5:27 PM
>
>
> OK, here's what I drafted to the L.A. Times:
>
> Editor,
>
> Regarding Liesl Bradner's article on Alex Steinweiss, "Father of Album
> Art," although Steinweiss did revolutionize album design with his work
> for Columbia Records, he was far from the first. A few examples that
> predate Steinweiss's initial work: Harper-Columbia's "Bubble Books,"
> colorfully illustrated albums of
>
> children's 78s (beginning in 1917), and the Brunswick cast album for
> the revival of "Show Boat" (1932) with Paul Robeson. Other illustrated
> albums were manufactured by Decca, Musicraft, and Victor, all before
> 1940. These should not, however, diminish Steinweiss's creative genius
> in taking record album design to a new level of sophistication.
> Sometimes biographers get overzealous in their claims... "for the
> record."
>
> Cary Ginell
> Thousand Oaks, CA
>
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