[78-L] fwd: Marsalis makes the world safe for pure jazz^

[eugene hayhoe]

Once saw a show where an expert was authenticating a Pollack and he went on and on about how hard it would be to fake one, despite how easy most people perceive it to be.
 
Gene 

--- On Fri, 12/25/09, Francesco Martinelli <francesco.martinelli at gmail.com> wrote:


From: Francesco Martinelli <francesco.martinelli at gmail.com>
Subject: Re: [78-L] fwd: Marsalis makes the world safe for pure jazz^
To: "78-L Mail List" <78-l at klickitat.78online.com>
Date: Friday, December 25, 2009, 4:01 AM


and who decides that Ayler hasn't?
fm
----- Original Message ----- 
From: "Michael Biel" <mbiel at mbiel.com>
To: "78-L Mail List" <78-l at klickitat.78online.com>
Sent: Friday, December 25, 2009 9:06 AM
Subject: Re: [78-L] fwd: Marsalis makes the world safe for pure jazz^


> From: "Michael Biel" <mbiel at mbiel.com>
>>> I wonder if just ANYBODY could noodle around and play
>>> in some of these styles and be accepted.  
> 
> From: "Francesco Martinelli" <francesco.martinelli at gmail.com>
>> yes... and anybody can paint like Picasso because he puts
>> both eyes on one side....  f
> 
> Bad analogy because Picasso had skill and purpose.  I would compare the
> randomness of some avant-garde jazz to the guy who mainly just threw
> buckets of paint on giant canvasses, Jackson Pollack.  
> 
> Mike Biel  mbiel at mbiel.com  
> 
> 
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