[78-L] fwd: Marsalis makes the world safe for pure jazz

Tue Dec 22 15:51:02 PST 2009

From: Cary Ginell <soundthink at live.com>
> I agree with Biel. The cognoscenti tell you that Coltrane's later period
> was the supreme climax of his creativity. Pigeon pellets! You don't HAVE
> to like it. It's the far left-wing of jazz, but we don't have to cotton
> to it and we don't undermine our own credibility by admitting not to like
> it. The same, in reverse, goes for Dixieland, the conservative right wing
> of jazz . . .

WHAT!!!  You are accusing ME of being a CONSERVSTIVE RIGHT_WINGER????? 
ME??!!  How dare you!  I am having my net privacy and integrity being
challenged.  I thought you were my friend.  Imagine ME being accused of
being a conservative and a right winger.  Just because I like dixieland
and hate the avant-garde honking.  The very idea!  Hurrumphhh.  I'll
have you know I voted for Kucinich, watch MSNBC, have met Rachel Maddow,
have done undercover work for Al Franken in disclosing that Billo LIEly
did not grow up in Levittown but in West Hempstead, and have had dinner
with Lizz Winstead.  I, my friend, am a Bleeding Heart Liberal and proud
of it.  And I like dixieland.  And Bix.  And even Paul Whiteman.  So
take that, Winton Czarsalis.  

Mike (i hope everybody knows my outrage is all a joke) Biel 
mbiel at mbiel.com

> The definition of jazz is that there is no definitions anymore. Jazz forms
> mutate as wildly as each year's flu bug - and as infectiously. Like whatever
> you want, but don't foist your taste on others. That's something, however,
> that "Professor" Marsalis is too egotistical to admit. HIS taste IS jazz.
> Self-serving twit.    Cary Ginell

> From: mbiel at mbiel.com
> To: 78-l at klickitat.78online.com
> Date: Tue, 22 Dec 2009 14:16:27 -0700
> Subject: Re: [78-L] fwd: Marsalis makes the world safe for pure jazz
> 
> From: Taylor Bowie <bowiebks at isomedia.com>
> >>> I don't want anybody proclaiming themselves to be the
> >>> guardian of the definition of jazz...that includes me,
> >>> you, and Mr. Marsalis. Taylor
> 
> From: eugene hayhoe <jazzme48912 at yahoo.com>
> >> Amen.
> 
> I also agree, so I will amend my earlier remarks. It is jazz, however
> it is sh*tty jazz.
> 
> > What's the link? Julian Vein
> 
> Why? What crimes against humanity do you wish to confess to under the
> torture of this dreck? Anyway, try:
> http://www.youtube.com/watch?v=ofDWbrPfKGA 
> and there will be links to other parts of this "concert" and enough
> other stuff to fully equip your own Gitmo. I note that this concert
> took place in Florida. Instead of hanging chad, they should have hung
> Larry.
> 
> >> I'm betting you don't like Albert Ayler or
> >> late period Coltrane either then Mike?
> 
> BINGO!! I've discussed this before, I have the master tape of one of
> Coltrane's last concerts, at Temple University a month or so before he
> died. He played non-stop for over an hour and there were dozens of
> musicians who wandered on and off the stage during the concert -- we
> have no idea who. The engineer back in the radio studio forgot to start
> the tape until a couple of minutes after he started playing, partially
> because the planned lead-in introductions didn't happen because Coltrane
> just wandered on stage behind the MC and started playing before a word
> was spoken! So the beginning -- where he actually played the melody --
> is lost. I do know that the Coltrane estate is supposed to have a copy
> of the tape because I made a copy for his manager a few weeks after
> Coltrane's death. It was part of the deal to allow the live broadcast. 
> Everytime I heard about a new posthumous Coltrane release I expected
> this concert to come out, but it hasn't. I also loaned the tape to
> someone about 30 years ago who cut it in half to fit on 7-inch reels and
> creased up that portion all to hell because the jerk had never learned
> how to thread a tape reel properly without creasing the tape. About 5
> years ago when this subject came up on the list I pulled out the tape,
> spliced the middle, tried to flatten it, and wound it properly back onto
> a 10-1/2 inch reel to let the creases flatten and the tape relax back
> into its proper size. I still haven't gotten around to transferring it
> off. I'm not sure I can sit thru it again. 
> 
> I don't think I've heard Albert Ayler. I'm assuming that I shouldn't.
> 
> Mike (ah, listen to that pure 1000 Hz tone) Biel mbiel at mbiel.com 
> 
> 
> Michael Biel wrote:
> > I was prepared to be very upset about this, because Marsalis is one of
> > the world's greatest doofuses, but you know something, that Spanish fan,
> > Rafael Gisbert, was right. This isn't jazz. In fact, it isn't music.
> > It is sh*t. It is uninspired random noodling that a group of 11-year
> > olds would be embarrassed to play after three months of music lessons.
> > Check this crap out on YouTube. I've had this bilge on for fifteen
> > minutes and I am ready to admit that I was the mastermind of 9/11,
> > I stole the Arbeit Macht Frei sign, I kidnapped Patti Hurst, I was
> > the grassy knoll shooter, and I leaked the hydrogen bomb plans to
> > Stalin. It has that effect on you.
> 
> I am going to listen to a test-tones record to try to cleanse my ears.
> > Mike Biel mbiel at mbiel.com
> =============
> 
> 
> 
> 
> ----- Original Message ----- 
> From: "David Lennick" <dlennick at sympatico.ca>
> 
> Jazz Promo Services wrote:
> > http://www.guardian.co.uk/music/2009/dec/21/wynton-marsalis-jazz-purist-fan
> >
> > Wynton Marsalis seeks purist fan . . .
> > The legendary jazz musician wants to give a present to the jazz buff in
> > Spain who complained to the police that the music at a gig wasn't 'jazz'
> > – and has asked the Guardian to find him. Problem is, we can't . . .
> >
> >
> > Related Story
> >
> > Found: the jazz purist sought by Wynton Marsalis
> > Jazz websites rattle with fierce debate after Wynton Marsalis offers
> > present to fan who complained at Larry Ochs gig
> >
> > http://www.guardian.co.uk/music/blog/2009/dec/21/jazz-purist-found-wynton-marsalis
> >
> >
> > Jazz legend Wynton Marsalis has come under criticism for supporting
> > Gisbert's complaint. Photograph: PR
> >
> > Well, that didn't take long. If the Guardian's crowd sourcers can spend
> > hours trawling through _Tony Blair's complex accounts_ for the reward of
> > a Steve Bell cartoon, then the offer of a deluge of Wynton Marsalis
> > recordings mentioned in _Shortcuts this morning_ was bound to have an
> > instant impact.
> >
> > The jazz legend wanted to send a large part of his 70-plus catalogue
> > of recordings to the anonymous Spaniard who_ called police to a jazz
> > festival because the music being played was not, he insisted, jazz.
> > Marsalis just needed to find him. Now Rafael Gisbert, a jazz purist from
> > the Madrid dormitory town of Alcorcon, has stepped forward.
> >
> > Credit goes to our friends at El País newspaper, who shared this
> > morning's story with us. "All I wanted was my money back," Gisbert tells
> > me. "I'm honoured that a great jazzman supports me."
> >
> > Marsalis's people are today being a little coy. "Wynton never planned on
> > it going public," says Jono Gasparro, the star's assistant, who asked
> > the Guardian to help track Gisbert down. "All I know is that he wanted
> > to send him some music."
> >
> > Perhaps the coyness is because jazz websites are rattling with fierce
> > debate over the time-worn question of "what is jazz". Marsalis has
> > offended a few people, not least the musicians in the Larry Ochs Sax and
> > Drum Core who were playing when Gisbert called the cops.
> >
> > Scott Amendola, one of Ochs's drummers, accuses Marsalis of seeking
> > cheap publicity. He suggests we write something about all those who
> > disagree with the Marsalis view of jazz and about how the trumpeter
> > hurts "thousands of other 'jazz' musicians in the world".
> >
> > Marsalis has Gisbert's phone number and email address. It's his move.
> >
> >
> 
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