[78-L] Billboard charts
soundthink at aol.com
soundthink at aol.com
Tue Nov 11 11:33:24 PST 2008
This is the same M.O. used by imProper on our western swing releases. They brazenly stole our transfers, re-EQ'd them to actually make them sound WORSE and then ripped off our photos. You can see the pixillation distortion where they tried to make a small picture larger. Shameless. We're copyrighting the photos on our next release and noting this in the CD booklet but I doubt it will do any good.
Cary Ginell
Origin Jazz Library
www.originjazz.com
-----Original Message-----
From: Chris Zwarg <doctordisc at truesoundtransfers.de>
To: 78-L Mail List <78-l at klickitat.78online.com>
Sent: Tue, 11 Nov 2008 11:21 am
Subject: Re: [78-L] Billboard charts
At 20:05 11.11.2008, you wrote:
From: "David Weiner" <djwein at earthlink.net>
> Man, do I hate Joel Whitburn!
> http://membran.net/Serien_Label/Jazz_Blues/Jazz_in_the_Charts/index.html
Actually there are 100 CDs of good stuff here, but I find no info
specifying they did the selection via Pop Memories. It is not as if
each CD is one year. As we all know, jazz was not really the best
selling records in those (or nearly any) years, so it is not as if these
are picking the top selling records. They might be picking the "best
selling" JAZZ records, but I do not have Pop Memories so I can not tell
if that is the case.
Any indication of price of these? Are the perhaps in one or two huge
boxes for a small price per disc?
Probably - after all, Membran must be the World's leading pirate CD producer
outside China that is...). Probably nobody in this company has ever seen, let
lone handled, an original 78; everything derives from earlier reissues.
sually, their 4-CD / 100 song packages go for € 9.99 (ca. $ 12.00) or less, and
ou see piles of them everywhere *except* in reputable CD shops. dl will
robably recognize some of his work in their catalogue which he did for other
ompanies, and so do I. They even swipe photos off other CD booklets, in at
east one case including a faithful reproduction of the staple that held the
riginal booklet together :o)
I have no sympathies for them whatever, as they drove two of my former steady
emastering clients into bankruptcy a few years ago; earlier this year, they
ried to talk me into doing "mastering" (read: swiping and recompiling CD
racks) for them for a ridiculously low payment, expressly stating that my job
ould be make the tracks "different" (read: disguise their origin) by changing
he sound in terms of EQ and pitch, no matter whether the result would be an
mprovement or not.....
Chris Zwarg
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